Workplace trends: changing office design

Workplaces have undergone a radical transformation post-pandemic, prioritising flexibility, sustainability and wellbeing. Aecom’s Mike Burton looks at the latest trends

Setting the scene: Manchester’s new arts venue Aviva Studios

Manchester’s new arts venue, Aviva Studios, features two huge events spaces that can host anything from poetry readings to mega-raves. BDP had the challenge of devising a flexible lighting and services strategy that could adapt to any artistic situation, as the consultant’s Steve Merridew and Nick Meddows explain

Clear decisions: whole life carbon for façades

By applying the CWCT embodied carbon calculation methodology to a Croydon office, Patrick Ryan Associates estimated whether selecting a new high-performing façade is better for reducing whole life carbon than retaining elements of the original. Anri Doda and Jill Wang explain

Fire and façades: key guidance

To ensure the fire safety of building façades, designers should pay special attention to firestopping. CWCT’s David Metcalfe highlights the latest guidance on this key area and rounds up the most recent information on designing fire-safe façades

Case study: Dubai’s award-winning Museum of the Future

Building information modelling and parametric modelling were key to the design and construction of the Museum of the Future, in Dubai, which won a design award for its unique façade. Andy Pearson reports on how the use of technology made the building possible

Framing finesse: Paddington Square’s innovative façade

The façade at Paddington Square in West London is anything but straightforward. Mace’s Ovi Mazareanu, and WSP’s Michele Sauchelli and Serena Gugliotta, describe how the client’s demand for energy efficiency and performance led to the design team taking a collaborative and innovative approach

Burrell Collection retrofit: a glazing success

The Grade A-listed Burrell Collection houses important works of art, but poor fabric performance has made the museum unsustainable. Andy Pearson explains how the building’s glazed façade was restored to make the gallery fit for a low carbon future